Intro

I love movies. I have loved movies all my life. I grew up on them. When I was eight years old, I managed to convince myself I would make movies when I grew up. Now I am in the process of getting a degree in Film Studies. I write about film more than ever before, partly because I have to for my classes, mostly because I enjoy it, because I have something to write about. Sometimes it helps me understand the film better; sometimes it helps me understand myself better.
I created this blog as a place to showcase my work, and also as an incentive to keep writing reviews, analyses, and essays over breaks, when there’s no one here to grade me.
I have tried many times, and failed, to explain in a coherent manner why it is that I love films. Here is my best—and most coherent—guess.





Showing posts with label Irrfan Kahn. Show all posts
Showing posts with label Irrfan Kahn. Show all posts

Sunday, January 6, 2013

Life of Pi (2012)



 Life of Pi, Ang Lee’s allegorical meditation on survival, struggle, the nature of storytelling and spirituality, is a delicate, dazzling, devastatingly gorgeous, but disappointing film in terms of its dramatic thrust. Visually stunning and completely immersive, the world Lee creates is one of lyrical, haunting beauty, but the movie falls a bit short in terms of emotional involvement, long-lasting impact, and narrative complexity.

The fantastical fairytale, adapted by screenwriter David Magee from Yann Martel's award-winning, bestselling novel, drifts for much of its duration, centering on the title character’s staggering two hundred plus days at sea, stranded on a life boat with an adult Bengal tiger incongruously named Richard Parker.