Intro

I love movies. I have loved movies all my life. I grew up on them. When I was eight years old, I managed to convince myself I would make movies when I grew up. Now I am in the process of getting a degree in Film Studies. I write about film more than ever before, partly because I have to for my classes, mostly because I enjoy it, because I have something to write about. Sometimes it helps me understand the film better; sometimes it helps me understand myself better.
I created this blog as a place to showcase my work, and also as an incentive to keep writing reviews, analyses, and essays over breaks, when there’s no one here to grade me.
I have tried many times, and failed, to explain in a coherent manner why it is that I love films. Here is my best—and most coherent—guess.





Showing posts with label Best Actor. Show all posts
Showing posts with label Best Actor. Show all posts

Wednesday, January 9, 2013

Les Misérables (2012)



 
Based on the musical written by Alain Boublil and composer Claude-Michel Schönberg (with English-language lyrics by Herbert Kretzmer), Tom Hooper’s Les Misérables opens up the teeming fresco of squalor and upheaval beyond the limitations of the theater. This story of oppression, liberation, and redemption produces a swooping, splashy cinematic panorama of an unjust, compassionless, unfeeling world, in which the innocent and the idealistic pay for crimes they have not committed, and plants a seed of barely flickering hope.

A work of audacious ambition, Les Misérables, Victor Hugo’s 19th century 1,400-page historical novel of rebellion and romance ran the emotional gamut, and the film, as well, sweeps viewers on a stirring, swelling wave of feeling that will leave few eyes dry. Mixing gritty, grimy realism with the artifice of stage production, Hooper brings Hugo’s characters to celluloid life with gusto and grace.

Thursday, January 3, 2013

Silver Linings Playbook (2012)


  David O. Russell’s Silver Linings Playbook is a delightful film about rampant dysfunction, desperation, obsession, isolation, hope, and the healing power of love. The writer/director taps into deep recesses of darkness, dealing with such touchy subjects as mental illness, only to make us see the light. Unabashedly positive, this small, intimate movie has a big heart as well as brains, making you think even as you’re overcome by its insanity and finally give in to its life-affirming, uplifting message.

Adapted by Russell from Matthew Quick’s novel of the same name, Silver Linings makes us buy into the philosophy of its title and assures us that “everything is under control,” as the characters keep repeating with varying degrees of faith.